CELESTIAL CHROME

imirage
Oct 9
1 min read

In a world of silver reflections and mirrored surfaces, Bella Ash becomes a prism of light, her body dusted with glitter, her gaze shielded behind futuristic lenses, her skin glowing with the precision of Daniela Uribe’s Chanel vision. Photographed by Kapture Studio against sculptural panels that recall surreal doorways to nowhere, the California muse bends space and time into sharp geometry. Her presence is both radiant and untouchable, like a satellite caught mid-orbit.

Maria Jose Salazar’s styling pulls the body into a dance with light: metallic trousers that glimmer like molten steel, a cut-out bodysuit that sculpts and elongates, and crystal-dusted boots that root her firmly in a galactic fantasy. Each garment is less about wearability and more about embodiment, the clothes act as armor and amplification, an exoskeleton for a woman whose shine refuses to dim.

Beauty here is kinetic. Uribe paints the eyelids in strokes of lilac and violet shadow, a nod to neon nightclubs and digital dreamscapes. Lips shimmer bronze, skin is slick with light-catching gloss, and glitter runs like stardust across her arms and legs. Paired with the sharpness of Bella’s silhouette, the effect is intoxicating, equal parts cybernetic siren and celestial warrior.

The story is not about escape but about evolution. Worn in silver, gloss, and light, Bella Ash embodies the future’s shimmer: a modern goddess where fashion is no longer fabric but frequency.